This article was originally published on Princeton University Press Blog.
By Nile Green
December 2015 marked the two hundred year anniversary of the publication of Jane Austens Emma. As symbolized in Lord Byrons introduction to Sir Walter Scott that year in the offices of Emmas publisher, John Murray, 1815 was one of the most notable years in English literary history.
But there is another important work from the period that has lain forgotten for two centuries. It is the diary of a young Muslim from Iran who spent four years exploring the society from which Austen created Emmas elegant little world. Written in England, the diary was composed in the Persian language, so while it is not part of English literature, it should still be considered part of Englands literature. For that reason, the diary of Mirza Salih Shirazi needs setting beside Emma as its forgotten Muslim counterpart.
Jane (or Salih) Sat Here? 1811 Coach from the London-Cheltenham Route | Photo Courtesy: As provided by the authorThe thematic ties between the two pieces
[su_pullquote align=”right”]But in the spirit of the Persian literary tradition of the sual va javab, or call and response, we might consider the diary as the non-fictional reply to Emmas, and Austens, world.[/su_pullquote]
As a rapidly written diary, Mirza Salihs text cannot lay claim to the celebrated artistry of Austen writing at the peak of her powers in Emmas innovative point-of-view prose. But in the spirit of the Persian literary tradition of the sual va javab, or call and response, we might consider the diary as the non-fictional reply to Emmas, and Austens, world.
Along with his five Muslim companions, Mirza Salih had arrived in London in the fall of 1815, a few months before the novel was published. They lodged with their aptly named chaperone, Mr. DArcy (though not Darcy), in his splendid Regency bachelor pad overlooking Leicester Square. Jane Austen was also living in Londons West End that season, staying on Sloane Street with her brother, Henry. The Iranians were the first Muslims ever to study in western Europe and they had just wandered right into Jane Austens milieu. It was to shape their entire experience of English life.
[su_pullquote align=”right”]Many of the themes of Emma find echoes in the Persian diary.[/su_pullquote]
Many of the themes of Emma find echoes in the Persian diary. Like Emma Woodhouse, Mirza Salih was much concerned with his social standing and recorded many of the slights he experienced. He was no less ambitious than Emma; like her, he was what we would now call a brilliant social networker. And like Austens novel, his diary ends with a wedding.
Old Towns in England | Photo Courtesy: Huffington postThe echoes between the two texts are not only thematic, though. They are also in the more tangible realm of place. In the novel, Emmas sister Isabella lives with her family on Londons Brunswick Square, whereas a few months after its publication Mirza Salih could be found living with his tutor two minutes walk away on neighboring Queen Square. Just as in the novel Mr Elton went to Bath to meet his beloved Augusta, Mirza Salih also journeyed there to take the waters and show off his fashionable pelisse. (An 1814 pelisse is on display at Jane Austens House Museum in Chawton that supposedly belonged to the author).
When Austen wrote of Augusta Elton that her Bath habits made evening-parties perfectly natural to her, and Maple Grove had given her a taste for dinners, she might have been writing of Mirza Salih, whose charms at Baths dinner parties were still remembered decades later. On one occasion, he dined as the guest of Mrs Hester Piozzi, the celebrated literary hostess and close friend of Dr Johnson. Although Austen had mocked Mrs Piozzi in a letter to her sister Cassandra in June 1799, ironically she never became famous enough in her lifetime to be invited to Piozzis salon.
As for Augustas background before her rise to respectability that the snobbish Emma disdained, she was the youngest of the two daughters of a Bristol merchant, of course, he must be called. Though Mirza Salih shared some of Emmas social anxieties, he was fascinated by the merchant industrialists who are usually hidden or slighted in Austens novels. And it was in Bristol that he made friends with several of them. He visited the home of the prosperous merchant John Harford, who showed him the glassworks and iron foundries that powered him (and Mrs Elton) to prosperity and (for Emma, false) respectability. Indeed, like Augusta through her marriage to the poor but well-born Mr Elton, Harford likewise secured his familys admission to the gentry through marriage.
Like many characters in Austens novels, Mr Elton was a vicar. As with Mr Collins in Pride and Prejudice, Austen drew on a class of men she knew well when she created Mr Elton. Her father, brother and many of their friends were clergymen. Like Mr Elton, her father, George, was genteel but far from rich. As a result, George Austen had to open a small private school to make ends meet. It was at another such little Academy for Gentlemen this one run by a provincial vicar called John Bisset that Mirza Salih learned English (and, like Jane from her father, French). Like George Austen, John Bisset was an Oxford graduate. He passed on the varsitys lessons to Mirza Salih, who was forbidden to enter Oxford as a Muslim just as the similarly vicarious student Jane was forbidden entry as a woman.
As I researched my book about Mirza Salihs adventures in England, it often seemed as though he was miming scenes out of Emma, whether at study or at play.
He even recorded an amorous coach journey through the West Country that mirrored the travels of Frank Churchill and Jane Fairfax en route to their tryst in Dorset.
While there is every reason to celebrate the bicentenary of Emma this month, its also an occasion to resurrect its lost Muslim counterpart. For that forgotten Persian diary is also a part of Englands, if not English, literature.
Nile Green is professor of history at UCLA. His many books include The Love of Strangers and Sufism: A Global History.
Featured Image Source: Literary Inklings
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