This article was originally published on Princeton University Press.
By Luke Mayville
I dont do it for the money, reads the opening line of Donald Trumps ‘The Art of the Deal’. Ive got enough, much more than Ill ever need. I do it to do it. Deals are my art form. Other people paint beautifullyor write wonderful poetry. I like making deals.
Contrary to the efforts of Elizabeth Warren and others to castigate Trump as a money-grubbersomeone monomaniacally obsessed with accumulating wealththe Trump campaign has sought to present him less as a money-maker than as an artisan and a master-builder whose greatness lies not in his wealth but in the structures he has built.
In our business, proclaimed Ivanka Trump in her speech at the RNC, youre not a builder unless youve got a building to show for it, or in my fathers case, city skylines.
Donald Trumps ruling desire, the story goes, is not merely to accumulate but to build and createjobs, skylines, deals.
This persona is in keeping with a story that Americans have long told about private ambition and the desire to get rich. Consider Ayn Rand, a writer who is idolized by Fortune 500 CEOs and who may be peerless in her influence on American culture. The heroes of Rands novels are not maniacal money-grubbers but rather inventors and architects. Howard Roark, the heroic protagonist of ‘The Fountainhead’ (and a character whom, by the way, Donald Trump strives to emulate), is described by Rand not as a greedy egoist but as a man who struggles for the integrity of his creative work against every form of social opposition.
Ralph Waldo Emerson spoke for an American tradition when he insisted that the pursuit of wealth was driven by something much nobler than greed, ostentation, or a lust for power. Men of sense, wrote Emerson, esteem wealth to be the assimilation of nature to themselves, the converting of the sap and juices of the planet to the incarnation and nutriment of their design.
Emersons suggestion is that the Donald Trumps of the world should be recognized as master craftsman who repurpose the raw stuff of nature into ingenious works of art.
[su_pullquote align=”right”]The real Trump, according to ghost-writer Tony Schwartz, is motivated not by the passion of the craftsman but by an insatiable desire for money, praise, and celebrity.[/su_pullquote]
But as we learned in July, Trumps ‘Art of the Deal’ was ghost-written. The real Trump, according to ghost-writer Tony Schwartz, is motivated not by the passion of the craftsman but by an insatiable desire for money, praise, and celebrity. What Schwartz revealed is that the career of Donald Trump does not fit the mould of Americas romantic ideal of money-making. Instead, Trumps character and motives are better explained by an alternative strain of American commentary.
John Adams, who was the second President of the United States and also a shrewd critic of Americas emerging commercial culture, believed that the pursuit of wealth was driven by a raging passion for social distinction. The desire for riches was akin to political ambition, which Adams described as a motive that strengthens at every advance, and at last takes possession of the whole soul so absolutely, that a man seeks nothing in the world of importance to others or himself, but in his object. The desire for riches, which was merely one variety of the desire for praise and distinction, was maniacal because it was ultimately insatiable. The love of gold, wrote Adams, grows faster than the heap of acquisition; the love of praise increases by every gratification, till it stings like an adder, and bites like a serpent; till the man is miserable every moment when he does not snuff the incense.
Is the real Trump motivated by the passion of the craftsman or an insatiable desire for fame an money? | Photo Courtesy: Visual HuntMartin Luther King Jr. echoed Adams when he described Americans love of money as a variety of the drum-major instinct, a desire to be out front to lead the parade to be first. The desire to stand out was not a bad thing in itself. In fact, King believed that the instinct should be harnessed to motivate service to humanity. But much more common was the case of the avaricious man who, moved by the drum major instinct, buys a fancier car and builds a bigger house than the next man, all in an effort to out-do the Joneses.
Among the revelations of Trumps ghost-writer was that the depiction of Trump as a passionate artisansomeone who crafts real estate deals in the same way that a poet writes poetrywas merely a cover-up used to hide his true ruling passion: to get rich and, beyond that, to prove Im richer than youto be distinguished and celebrated for his wealth.
Surely, not all money-making is driven by such self-absorption. Riches have often been the reward of the bourgeois virtues of thrift, saving, timeliness, and industriousness. Much of Americas wealth can in fact be traced to extraordinary feats of invention and ingenuity. But the phenomenon of Donald Trump reminds us that the idea of money-making as craftsmanshipeven if it contains a substantial part of the truthis also readily deployable as a self-serving myth. And the problem is not just that the myth excuses the greed of those billionaire politicians who wish to govern us. It also flatters the pervasive yearning for riches among the broader public, the same yearning that motivated droves of Americans to buy ‘The Art of the Deal’.
Luke Mayville is a postdoctoral fellow at the Center for American Studies at Columbia University.
Featured Image Courtesy : Pixabay
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